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Important Update

April 7, 2024 to October 27, 2024 | Balcony Gallery, South Gallery, Bridge Gallery

Elizabeth Englander: Eminem Buddhism, Volume 3

Nutcrackers, toys, outgrown children’s furniture, and other discarded wooden tchotchkes are the material basis of Elizabeth Englander’s sculptures of gods, goddesses, and saints from the pantheons of Jainism, Hinduism, and Buddhism. Taking artifacts from consumer culture— paradoxically loaded with memory and nostalgia, but endemically disposable—Englander reassigns the fragments new anatomical significance and joins them into abstracted bodies that capture identifying attributes of the deities they represent. Englander writes: “I like to imagine that by dismembering them, I free them from some of this karma. Refashioned into spacious, divine bodies, the resulting personal icons are indices of my dialogue with the dharma.”(1)

The iconography is drawn from Englander’s study of Asian religious art, specifically the history of statuary icons that began in the 2nd century BCE in India. From this iconography certain sacred forms emerge as the protagonists in Englander’s sculptures: Chamunda,“the feminine element of god,” or shakti, whose attributes symbolize the destruction of ignorance, hatred, fear, and death;(2) the poet-saint Karaikkal Ammaiyar who “traded in her beauty to worship as one of Shiva’s cremation ground ghouls”;(3) Bahubali, the victorious heir of a fratricidal dynastic war who renounces his inheritance and embraces the ascetic life; Jinas, the “beings who [have] transcended the flux of the world and attained total equanimity.”(4) Sculptural practice led Englander to a spiritual practice in the form of Zen Buddhism. This new experience informs recent works seated, like the bodhisattva Avalokiteshvara, in so-called "royal ease," and in the orthoprax postures of zazen.

Eminem Buddhism, Volume 3 is Elizabeth Englander’s first museum solo exhibition. The title of this exhibition series is taken from stories written by the artist’s brother when they were children that chronicled the spiritual conversion of the rapper Eminem under the guidance of Buddha. The artist’s first museum publication will accompany the exhibition.

Elizabeth Englander: Eminem Buddhism, Volume 3 is curated by Eduardo Andres Alfonso, Associate Curator.

1. Englander. Eminem Buddhism, Volume 2. Guadalajara, Mexico: House of Gaga, 2023. Press release.
2. Dora, Jayanti. “Iconography: With Special Reference to the Iconography of ‘Shakta’ Deities of ‘Vaital’ Temple, Bhubaneswar.” Proceedings of the Indian History Congress 63 (2002): 1227.
3. Englander. Eminem Buddhism. New York, NY: Theta, 2022. Press release
4. Cort, John E. Framing the Jina. New York, NY: Oxford University Press, 2010. 24.

Artist Bio

Elizabeth Englander (b. 1988, Boston, MA) lives and works in New York, NY. She received her BFA from The Rhode Island School of Design in 2011 and her MFA from Hunter College in 2019. Recent solo exhibitions include: House of Gaga, Guadalajara (2023); Liste Art Fair Basel, solo presentation with Theta (2023); Theta, New York (2022); Smart Objects, Los Angeles (2021); From the Desk of Lucy Bull, Los Angeles (2019). Group exhibitions have been held at: White Columns, New York (2023); Lomex, New York, (2022); What Pipeline, Detroit (2022); Theta, New York (2021); Smart Objects, Los Angeles (2021); Night Gallery, Los Angeles (2021); Safe Gallery, Brooklyn (2019); and Muzeum Ikon, Warsaw, PL (2018).



Generous support for Elizabeth Englander: Eminem Buddhism, Volume 3 is provided by Ellen and Andrew Celli. Significant support is provided by The O'Grady Foundation. The catalogue is supported by the Eric Diefenbach and James-Keith Brown Publications Fund. Production support is provided by the Diana Bowes and Jim Torrey Commissions Fund.

Top image: Elizabeth Englander, Yogini no. 10, 2022, Wood, paint, faux fur, 39 x 19 x 11 inches. Courtesy of Elizabeth Englander and Theta, New York