The Aldrich Contemporary Art Museum

Thanks to a generous extended loan by Brown Jordan, visitors are welcome to enjoy the Walter Lamb Collection by Brown Jordan throughout the Museum’s outdoor spaces.

The story of the Old Hundred, the original galleries at The Aldrich Contemporary Art Museum, as a turning point in Robert Indiana's career and the place he found "LOVE."

This Spring, the Aldrich Teen Fellows worked with exhibiting artist Hangama Amiri on a project that allowed the Fellows to share their reflections on the themes found in Amiri's exhibition with the wider Aldrich community.

The Afghan-Canadian artist Hangama Amiri fled the Taliban as a child. Her new museum show reclaims space for women with colorful textile works.

The Aldrich Contemporary Art Museum is pleased to announce that curator and architect Eduardo Andres Alfonso has been named Associate Curator and will be starting his new role at the Museum on February 13, 2023. Using research to situate exhibition histories within larger social, economic, and political contexts, Alfonso’s curatorial practice engages audiences through new commissions and innovative exhibition design.

Willoughby Thom, The Aldrich's Summer Intern, reflects on her time at the Museum and the work she did with both Marketing & Communications and Education Departments. She worked on a number of projects during her 8-week internship but primarily focused on digitizing and cataloguing a large portion of material from the late to mid-1990's as well as conduct a visitor's experience survey for the museum's Third Saturday programming.

Amy Smith-Stewart has been named Chief Curator after nine years at the Museum acting first as Curator, and most recently as Senior Curator. Smith-Stewart succeeds Richard Klein who retired from his position as The Aldrich’s Exhibitions Director on June 10 after over thirty years at the Museum.

High school intern Soren Covell reflects on his month-long internship at The Aldrich witnessing the installation of 52 Artists: A Feminist Milestone.

The Aldrich Contemporary Art Museum looks back at a 1971 exhibition devoted to women and puts their work in conversation with emerging feminist artists.

Duane Slick deploys his canine friend in a thrilling show. For the 60-year-old artist and professor, this first museum solo is long overdue.

Born in 1887 in Kyiv, Ukraine, Alexander Archipenko started his career studying painting and sculpture at the Kyiv art school from 1902–1905, the foundation to an extensive trail of international exhibitions in the years to come. On loan to The Aldrich by a private collector and longtime Ridgefield resident, Woman with Folded Arms demonstrates Archipenko’s prowess and sensitivity in interpreting the body, where the figure’s apparent femininity is conditional to its strength. On the occasion of this artwork’s presentation, The Aldrich will be donating a portion of admissions to Doctors Without Borders through May 15, 2022.

Learn about the making of the Museum's largest exhibition to date, 52 Artists: A Feminist Milestone, from Caitlin Monachino, Curatorial Assistant and Publications Manager.

Blog entries from the Fall 2021 cohort of Aldrich Teen Fellows speaking about their projects inspired by Hugo McCloud and Lucia Hierro's exhibitions.

Richard Klein will conclude his administrative duties as Exhibitions Director in June 2022 and organize his final exhibition at the Museum in February 2023. Klein has worked at the Museum for over three decades, holding the position of Exhibitions Director since 2004.

An interview with the mystically inclined artist, who shares the interests of Hilma af Klint and Agnes Pelton.

“Critic and activist Lucy Lippard’s landmark 1971 exhibition of twenty-six women artists at The Aldrich Contemporary Art Museum was among the first institutional responses to the underrepresentation of women in art history. To celebrate its fiftieth anniversary, the museum has reassembled the show’s original cast – including Howardena Pindell, Carol Kinne, and Adrian Piper – and positioned them in dialogue with emerging female-identifying or nonbinary artists. Leilah Babirye, Tourmaline, and Hannah Levy are among the twenty-six additions, all of whom live in New York and have yet to have a major solo museum show, in keeping with Lippard’s original criteria.”

Alongside Alexander Calder and George Rickey, Tim Prentice forged a new path in kinetic art. We spoke to the American nonagenarian artist and architect ahead of his major two-part exhibition, ‘After the Mobile’, at the Aldrich, Connecticut.

This week: On Tim Prentice, Chausson’s Le roi Arthus, Baroque set design & more.

Using plastic to paint, draw connections, and ask questions.

Read about Lucia Hierro's work in Sculpture Magazine.