The Aldrich Contemporary Art Museum

An interview with the mystically inclined artist, who shares the interests of Hilma af Klint and Agnes Pelton.

“Critic and activist Lucy Lippard’s landmark 1971 exhibition of twenty-six women artists at The Aldrich Contemporary Art Museum was among the first institutional responses to the underrepresentation of women in art history. To celebrate its fiftieth anniversary, the museum has reassembled the show’s original cast – including Howardena Pindell, Carol Kinne, and Adrian Piper – and positioned them in dialogue with emerging female-identifying or nonbinary artists. Leilah Babirye, Tourmaline, and Hannah Levy are among the twenty-six additions, all of whom live in New York and have yet to have a major solo museum show, in keeping with Lippard’s original criteria.”

Alongside Alexander Calder and George Rickey, Tim Prentice forged a new path in kinetic art. We spoke to the American nonagenarian artist and architect ahead of his major two-part exhibition, ‘After the Mobile’, at the Aldrich, Connecticut.

This week: On Tim Prentice, Chausson’s Le roi Arthus, Baroque set design & more.

Using plastic to paint, draw connections, and ask questions.

Read about Lucia Hierro's work in Sculpture Magazine.

Lucia Hierro takes us on a Polaroid tour of her native New York including spots in Washington Heights, the Bronx and Brooklyn where she is currently based.

A lone plastic shopping bag, plucked by the breeze, floats gracefully down the street. It is the “muse” of Lucia Hierro, who, although foremost an academic, is also a conceptual artist.

Artist Hugo McCloud’s first solo museum show spotlights his creative turns.

With summer on the horizon after a long pandemic winter, museums are throwing their doors open to tell every kind of story.

Tim Prentice (b. 1930) is known for his innovative work in the field of motion in sculpture. Prentice has been a resident of Connecticut since 1975, and After the Mobile marks his first solo museum exhibition since 1999.

Karla Knight has spent the last forty years creating an impressive body of work that spans painting, drawing, and photography.

Since The Aldrich’s founding in 1964, Frank Stella has participated in fifteen group shows, and yet, Frank Stella’s Stars, A Survey marks the first exhibition dedicated solely to the artist at the Museum.

During the pandemic, the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has been experimenting with ways to bring art out of its white galleries, and into homes within the local community.

The 84-year-old abstract artist's giant star sculptures, now on display in Connecticut, exhibit a life of their own.

At the Aldrich Museum of Contemporary Art, the artist's series of stoneware works offer a feminist critique of domestic life under the unmistakable presence of death.

A world without art would be a gloomy and dreary place and while art lovers can visit some museums or take a virtual stroll through exhibitions, the COVID-19 pandemic has distanced many not just from their social circles but also from art.

An exhibition in Connecticut unites two dozen works featuring a single motif, reaffirming the restlessness of this painter’s progress.

Two years ago, when The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, set about its exhibition planning for 2020, an obvious event to address was the US election.

In the midst of a wholly digital world, where all one has to do to see a work of art is perform a simple Google search, what is the role of the art museum? Education and Exhibitions intern, Anika Khakoo reflects on her virtual internship at The Aldrich Contemporary Art Museum.