The Aldrich Contemporary Art Museum

2020 has been historic year and the work being created by the artists now reflects their lived experience through a landmark election year, a global pandemic, and a national reckoning with systemic racial injustice and police brutality. The exhibition asks the question can a ‘slow’ museum exhibition actively participate in democracy amidst the cacophony of Tweets and abbreviated news app headlines via a medium that moves no faster that the speed of a human hand pushing a pencil?

Artists participating in the exhibition include Marti Cormand (Brooklyn, NY), Oasa DuVerney (Brooklyn, NY), Judith Eisler (Vienna, Austria and Warren, CT), Andy Mister (Beacon, NY), William Powhida (Brooklyn, NY), Gil Scullion (Middletown, CT), and Diana Shpungin (Brooklyn, NY).

The artists will be adding works to the exhibition in early December and early February creating a platform for response throughout the exhibition. Following key moments in the election cycle, the final installation of the exhibition will reflect the proceeding years’ political and social experiences through the lens of these artists’ lived experiences. The Aldrich has commissioned the seven artists to create the work for this exhibition. The exhibition will be accompanied by a newspaper, published in two editions, that will bookend the exhibition.

Organized by Richard Klein, Exhibitions Director, The Aldrich Contemporary Art Museum.

Listen to Hindsight is, a three-episode podcast series in the radio play genre in conjunction with the exhibition Twenty Twenty. The series focuses on vignette scenes with a range of local and regional historical figures in Connecticut including women’s Suffragist Alice Paul and former NAACP Connecticut Chapter President William Webb.

Listen here.