The Aldrich Contemporary Art Museum

Skip to main content

Reeva Potoff

Reeva Potoff has lived in New York since 1965. Her early work comprised monumental sculptural installations made from ephemeral materials. Mica Schist consists of two stacks of black-and-white 8 x 10 photo composites (reprinted for this exhibition) that represent, frame by frame, a rock outcropping in Central Park in 1971. For Twenty Six Contemporary Women Artists, Potoff created a life-size version of the outcropping using cardboard and polyurethane foam. In 1978, for the Museum of Modern Art’s Project series, this archetypal form inspired a 12-foot-high and 32-foot-long cardboard and tissue paper sculpture titled Bristol Bluffs.

8Veil & B&G mold & GreyStucco, 2017–21, on view in the Project Space, includes six archival inkjet prints suspended from rolls like monumental scrolls. Their content is based on microphotographic images of mold grown on coffee. Adhered to the prints’ surfaces are to-scale insects digitally printed onto acetate that is then folded by hand. Potoff refers to her installation as “wallpaper for the 21st century” and a “response to impermanence . . . as well as our delicately balanced environment.” Its subject matter feels especially prescient in our pandemic-afflicted present.

Images

Audio

Hear artist Reeva Potoff describe her works, "Mica Schist," (1971/2021) and "#8Veil & B&G mold & GreyStucco," (2017–21), in the Aldrich exhibition, 52 Artists: A Feminist Milestone.


Related Exhibitions

April 18, 1971, to June 13, 1971 | Old Hundred

Twenty Six Contemporary Women Artists


June 6, 2022 to January 8, 2023 | Lobby, Leir Gallery, Screening Room, Ramp, Project Space, Balcony, South Gallery, Sound Gallery, Opatrny Gallery

52 Artists: A Feminist Milestone



Top image: Reeva Potoff, #8Veil & B&G mold & GreyStucco, 2017–21. Collection of the artist. Photo: Jason Mandella