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The Museum is closed for installation and will reopen on June 6.
Past exhibitions from the
20 x 24: Recent Portraits by Lyle Ashton Harris is the first major public presentation of a selection of images from the new series of unique Polaroid portraits begun by the photographer in the Fall of 1998.
The exhibition The Nude in Contemporary Art explores the way nudity allows for discussions of childhood and old age, innocence and experience, and mundane reality and fantasy.
Alexis Rockman: A Recent History of the World was on view at The Aldrich from March 21, 1999 to May 23, 1999.
The works included in this exhibition represent only a part of the vintage, modern, and contemporary photographic imagery owned by Reader's Digest. This exhibition marks the first time that a significant portion of the Reader's Digest photography collection has been assembled for public view.
Ann Hamilton: Whitecloth: 1998 Larry Aldrich Foundation Award Exhibition was on view at The Aldrich from January 24, 1999, to May 23, 1999.
Here: Artist’s Interventions at the Aldrich Museum was on view at The Aldrich from September 13, 1998, to January 3, 1999.
This exhibition is a selection of Lichtenstein's multiple-editioned works from 1964 to 1996, chosen from the collection of John & Kimiko Powers, who have assembled one of the most significant private collections of the artist's work.
Pop Surrealism explores the grotesque body; surrealist icons of popular culture; and surreal comics and the influence of 'low art' underground comics on 'high art.'
Melissa Marks, The Adventures of Volitia: Heroic Burlesque was on view at The Aldrich June 7, 1998, to July 18, 1998.
YaZOO!: James Grashow was on view at The Aldrich from April 19, 1998, to May 31, 1998.
Mark Bennett: TV Sets and the Suburban Dream was on view at The Aldrich from January 18, 1998 to March 15, 1998.
Large-Scale Drawings from the Collection of Wynn Kramarsky was on view at The Aldrich from January 18, 1998, to May 24, 1998.
Robert Gober: The 1996 Larry Aldrich Foundation Award Exhibition was on view at The Aldrich from January 18, 1998, to May 24, 1998.
The Aldrich is pleased to present Eleven from The New Yorker, on view from November 16, 1997, to January 11, 1998.
The Aldrich is pleased to present Best of the Season: Selected Work from 1996-97 Gallery Exhibitions on view from September 14, 1997, to October 31, 1997.
The Aldrich is pleased to present Aaron Birnbaum: Paintings 1960–1996, on view from September 14, 1997, to November 9, 1997
The Aldrich is pleased to present Weir Farm 1997 Visiting Artists on view from June 29, 1997, to July 20, 1997.
The Aldrich is pleased to present Visionary Drawing: Chris Hipkiss, Howard Johnson & Peter Sparre, on view from May 4, 1997, to June 25, 1997.
Bruce Nauman: 1985-1996, Drawings, Prints, and Related Works was on view at The Aldrich from May 4, 1997, to August 31, 1997.
Flexner's work is marked by the artist's delicate and deliberate touch, and by the intellectual richness he brings to his craft.
Through form, color, and content, Robert Cottingham: An American Alphabet explores the complex relationship between symbols, objects, and their representation.
Making It Real was on view at The Aldrich Contemporary Art Museum from January 19, 1997, to April 20, 1997.
The Aldrich Contemporary Art Museum is pleased to present Beyond Narrative: Photographs of Jenny Lynn & Jill Mathis on view from November 10, 1996, to January 5, 1997.
The Aldrich Contemporary Art Museum is pleased to present Ivan Chermayeff: Recent Collages on view from September 15, 1996, to November 3, 1996.
The Aldrich Contemporary Art Museum is pleased to present Landscape Reclaimed: New Approaches to an Artistic Tradition on view from September 15, 1996, to January 5, 1997.
The Aldrich Contemporary Art Museum is pleased to present No Doubt, on view from May 19, 1996, to September 1, 1996.
The Aldrich Contemporary Art Museum is pleased to present In The Flesh, on view from January 21, 1996, to May 5, 1996.
The Aldrich Contemporary Art Museum is pleased to present Living with Contemporary Art on view from October 1, 1995, to January 7, 1996.
The Aldrich Contemporary Art Museum is pleased to present Weir Farm Visiting Artists, on view from October 1, 1995, to December 15, 1995.
The Aldrich Contemporary Art Museum is pleased to present Transmissions from Austria on view from June 24, 1995, to September 17, 1995.
The Aldrich Contemporary Art Museum is pleased to present Inside Out: Psychological Self-Portraiture on view from May 20, 1995, to September 17, 1995.
The Aldrich Contemporary Art Museum is pleased to present Michael Mazur: The Inferno on view from January 22, 1995, to February 26, 1995.
The Aldrich Contemporary Art Museum is pleased to present Rick Shaefer: Constructed Landscapes on view from January 22, 1995, to April 2, 1995.
The Aldrich Contemporary Art Museum is pleased to present Drawn on the Museum on view from January 22, 1995, to May 7, 1995.
The Aldrich Contemporary Art Museum is pleased to present Promising Suspects on view from October 2, 1994, to January 8, 1995.
The Aldrich Contemporary Art Museum is pleased to present 30 Years: Art in the Present Tense on view from May 14, 1994, to September 18, 1994.
The Aldrich Contemporary Art Museum is pleased to present In The Lineage of Eva Hesse on view from January 23, 1994, to May 1, 1994.
The Aldrich Contemporary Art Museum is pleased to present Timely and Timeless on view from October 10, 1993, to January 9, 1994.
The Aldrich Contemporary Art Museum is pleased to present Fall from Fashion on view from May 23, 1993, to September 26, 1993.
The Aldrich Contemporary Art Museum is pleased to present Simply Made in America on view from January 24, 1993, to May 2, 1993.
The Aldrich Contemporary Art Museum is pleased to present Impermanence: Andy Goldsworthy & Merrill Wagner on view from January 24, 1993, to May 2, 1993.
The Aldrich Contemporary Art Museum is pleased to present Four Friends: Eric Fischl, April Gornik, Bryan Hunt & Ralph Gibson on view from October 4, 1992, to January 10, 1993.
The Aldrich Contemporary Art Museum is pleased to present Quotations: The Second History of Art on view from May 16, 1992, to September 20, 1992.
x6 = New Directions in Multiples singles out six publishers with widely varying points of view. The publisher is a player in the final product and subtly affects their creation.
The Aldrich Contemporary Art Museum is pleased to present Ritual, Image and Spirit: Contemporary Australian Aboriginal Art, on view from October 6, 1991, to January 12, 1992.
Claiming: An Installation of Paintings by Stephen Bush presents the work of Melbourne painter Stephen Bush that focused on the way the artist appropriates the appearance of history painting to examine contemporary social and political issues.
The Aldrich Contemporary Art Museum is pleased to present The Loti and Victor Smorgon Collection of Contemporary Australian Art on view from October 6, 1991, to January 12, 1992.
The Aldrich Contemporary Art Museum is pleased to present Landscapes of Consequence: David T. Hanson, Robert Glenn Ketchum, David Maisel, and Richard Misrach on view from May 18, 1991, to September 22, 1991.
The Art of Advocacy reflects the changes in the political climate that started in the late 1980's and brings greater visibility to artists who previously worked at the edge of the art world.
The Aldrich Contemporary Art Museum is pleased to present California Artists: William T. Wiley, Mike Kelley and Brad Dunning on view from January 20, 1991, to May 5, 1991.
The Aldrich Contemporary Art Museum is pleased to present German Photography: Documentation and Introspection on view from October 20, 1990, to January 6, 1991.
The Aldrich Contemporary Art Museum is pleased to present Language in Art on view from October 20, 1990, to January 6, 1991.
The Aldrich Contemporary Art Museum is pleased to present Adaptation and Negation of Socialist Realism: Contemporary Soviet Art on view from June 9, 1990, to October 7, 1990.
The Aldrich Contemporary Art Museum is pleased to present Black and White Since 1960: Prints from the Collection of Dave and Reba Williams, on view from March 10, 1990, to May 20, 1990.
The Aldrich Contemporary Art Museum is pleased to present Selections From The Collection on view from March 10, 1990, to May 27, 1990.
The Aldrich Contemporary Art Museum is pleased to present Abe Ajay: Dimension x 3 on view through March 10, 1990, to May 27, 1990.
The Aldrich Contemporary Art Museum is pleased to present Chuck Close: Works on Paper from the Collection of Sherry Hope Mallin on view from October 29, 1989, to February 25, 1990.
The Aldrich Contemporary Art Museum is pleased to present Project = Installation on view from October 29, 1989, to February 25, 1990.